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July 28, 2010,
SOMEONE WHO'LL WATCH OVER ME additional performance date announced: WEDS, AUG 4th @ 7pm
.

No Empty Seats campaign
June 1, 2010,
NO EMPTY SEATS – Our Make Theatre Accessible campaign
launches. Help us reach our 1,000 seat goal this Summer by purchasing tickets to our upcoming shows or making a donation. Every $18 = one seat.

May 24, 2010, premiere screening a A LONG ROAD, a short film written by our own Nick Marshall, and directed by Nyle Cavazos Garcia. This is the first film production credit for The Collective.

March 25, 2010, The Collective NY is profiled as part of an article spotlighting Acting Schools and Coaches in BACKSTAGE.


Oct-Nov 2009, I.E.D. appeared at The Bridge Theatre in NYC. Three weeks of readings, one-acts and the premiere of Me Equals This + Happy Girl :), two original short plays written + directed by Brian Leider, featuring a different cast each week.

June 2009, The Collective launches its Twitter feed. Follow us: @Collectivenyorg

 

 

 


coming up

AUGUST 31 - SEPTEMBER 2, 2010
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May Contain Nuts logo

WARNING: MAY CONTAIN NUTS
4 Plays in One Act by Craig McNulty


One of our favorite writers, Craig McNulty, handed over four one acts and things are about to get dangerous. Take the risk and join us for the premiere of these original plays. Performed and directed by members of The Collective.

TICKETS AVAILABLE NOW through SMARTTIX

www.smarttix.com and 212.868.4444

August 31 - September 2
TUE - THU 8pm
Theater 54 at Shetler Studios, 244 West 54th Street, 12th Fl., NYC

$15
general admission

FREE / PAY-WHAT-YOU-CAN tickets are also available to each performance in support of our mission to provide access to quality theatre. If you cannot afford a ticket, you can still order a ticket (while supplies last) to see the show at no charge. Limit 2 FREE tickets per order.

An Equity-approved showcase

OCT 2010
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VIRGINS & SLUTS

Plan to join us in October when we unveil our inaugural presentation of VIRGINS & SLUTS, an evening of ORIGINAL work from members of The Collective. Over 90 days, through three phases, participants write, workshop and prepare their pieces for presentation. There are no restrictions about style or form, just a green light to WRITE about a given theme. All the work presented must be original, whether the writer is a virgin (never written ANYTHING before) or a slut (one of our regular contributors). You get to see the beginnings of future productions from The Collective, and your feedback is welcomed.

SUMMER 2010
"NO EMPTY SEATS" MAKE THEATRE ACCESSIBLE CAMPAIGN

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It is an essential part of our mission to provide access to quality theatre for individuals and groups who cannot afford to see a professional show or are not aware that such opportunities exist. We would rather share our work with an enthusiastic and engaged audience who have not paid a dime than to have empty seats.

WHAT WE DO:

1. Tickets to our productions are offered free of charge and on a 'pay-what-you-can' basis.

2. We promote to schools and through social media, and try to reach communities for whom theater may remain a luxury instead of an integral part of the culture.

3. We actively seek donations and provide opportunities for our supporters to help us provide access for those unable to do so themselves.

WHAT YOU CAN DO:

BUY TICKETS to see our productions, or MAKE A DONATION so that someone else can. Every $18 = one seat. Our current campaign is to fill 1,000 seats this Summer through ticket sales and your donations.

Help us provide access to quality theatre with your donation.



SUMMER 2010
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THE COLLECTIVE MEMBER PERFORMANCE CALENDAR
is now available to view. We are proud of our members and the work they do both inside and outside The Collective. You can see our members on stage and screen at any given moment. Check back regularly to see where our members are working, and be sure to check them out.

View the calendar

 


someone
June 17 - August 8, 2010
 
     

 

The Lesson is The Collective’s first production... it’s exciting to think about how the group will apply such fierce energy to other works. –– Maura O'Brien, Off Off Online

 

 


 
       
       

 





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